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Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Publications

Bard Graduate Center publishes award-winning exhibition catalogues, books, and journals focusing on scholarship in the decorative arts, design history, and material culture.

Contemporary Artists
Publications
Barbara Nessim
An Artful Life


Publications
Waterweavers
A Chronicle of Rivers

Publications
Sheila Hicks
Weaving as Metaphor

Publications
Richard Tuttle
What Is the Object?
BGCX
Publications
Ritual and Capital
BGCX
2020

Publications
What is Research?
BGCX
2021

Publications
What is Conservation?
BGCX
2023

The Saint-Cloud porcelain manufacture in France holds a unique position in the history of European porcelain: it was the first in Europe to discover the secret of producing soft-paste porcelain, thereby breaking the monopoly of China and Japan and playing a seminal role in the development of porcelain production in Europe. This beautiful book, which documents the manufacture’s production and traces its technical and stylistic evolution, celebrates one of France’s enduring contributions to the decorative arts and culture of Europe.

The book features ten essays by leading scholars of French porcelain that examine not only the history of the Saint-Cloud manufacture but also its influence, aesthetics, patronage, and reception. The essays are supplemented by reproductions of some 250 examples of Saint-Cloud porcelain from the Musée des Arts Décoratifs, Paris, and other museums around the world, along with documentation for each one. The book also includes examples of contemporary works of faience from Delft, porcelain imported from China, and related paintings and works on paper that provide a broader context in which to consider the works produced at Saint-Cloud.



Bertrand Rondot is Curator, 17th and 18th centuries, at the Musée des Arts Décoratifs, Paris.

Table of Contents
Preface
Maire-Claude Beaud

Foreword
Susan Weber Soros

Introduction
Bertrand Rondot

The Saint-Cloud Porcelain Manufactory: Between Innovation and Tradition
Bertrand Ronfot

Methods of Manufacturing Porcelain in France in the Late Seventeenth and Early Eighteenth Centuries
Antione d’Albis

Saint-Cloud and the “Goust de Raphael”
Clare Le Corbeiller

Saint-Cloud and Delft: Two Intepretations of Chinese Porcelain
Christine Lahaussois

The Porcelain of Rouen
Gilles Grandjean

The Soft-Paste Porcelain Manufactory in Saint-Cloud and the So-Called Saint-Cloud Porcelain Manufactory in Paris (ca. 1693-1766)
Genevieve Le Duc

The Manufacture and Sale of Soft-Paste Porcelain in Paris in the Eighteenth Century
Regine de Plinvale de Guillebon

Meissen and Saint-Cloud, Dresden and Paris: Royal and Lesser Connections and Parallels
Maureen Cassidy-Geiger

Selected Catalogue of the Exhibition

Selected Catalogue of Entries

Bibliography
Images