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Wednesdays @ BGC
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Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

Events
Spring Information Session
February 20, 2025





Publications

Bard Graduate Center publishes award-winning exhibition catalogues, books, and journals focusing on scholarship in the decorative arts, design history, and material culture.

Contemporary Artists
Publications
Barbara Nessim
An Artful Life


Publications
Waterweavers
A Chronicle of Rivers

Publications
Sheila Hicks
Weaving as Metaphor

Publications
Richard Tuttle
What Is the Object?
BGCX
Publications
Ritual and Capital
BGCX
2020

Publications
What is Research?
BGCX
2021

Publications
What is Conservation?
BGCX
2023

How do works of art endure over time in the face of aging materials and changing interpretations of their meaning? How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? And how can changeable artworks encourage us to rethink our assumptions of art as fixed and static? Revisions is a unique exploration of all of these questions.

In this catalog, which accompanies an exhibition at the Bard Graduate Center, Hanna B. Hölling examines Zen for Film, also known as Fluxfilm no. 1, one of the most evocative works by Korean-American artist Nam June Paik. Created during the early 1960s, this piece consists of a several-minutes-long screening of blank film; as the film ages and wears in the projector, the viewer is confronted with a constantly evolving work. Because of this mutability, the project, as Hölling shows, undermines any assumption that art can be subject to a single interpretation.

By focusing on a single artwork and unfolding the inspirations, transitions, and residues that have occurred in the course of that work’s existence, Revisions offers an in-depth look at how materiality enhances visual knowledge. A fresh perspective on a piece with a rich history of display, this catalog invites interdisciplinary dialogue and asks precisely what—and when—an artwork might be.

Table of Contents
Director’s Foreword

Foreword

Preface

Acknowledgements

Introduction

Revisions
1—Encounters
2—Zen, Nothingness, Boredom
3—Time, Finitude, Transparency
4—Linearity, Circularity, Editions
5—How to Exhibition a Work and Its World?
6—The Dualism of Concept and Material
7—Musical Connotations
8—Originality, Authenticity, Wirkung
9—Distributed Authorship
10—Event, Performance, Process

Conclusion

Bibliography

Index
Images