Table of Contents
Director’s Foreword
Foreword
Preface
Acknowledgements
Introduction
Revisions
1—Encounters
2—Zen, Nothingness, Boredom
3—Time, Finitude, Transparency
4—Linearity, Circularity, Editions
5—How to Exhibition a Work and Its World?
6—The Dualism of Concept and Material
7—Musical Connotations
8—Originality, Authenticity, Wirkung
9—Distributed Authorship
10—Event, Performance, Process
Conclusion
Bibliography
Index