About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Publications

Bard Graduate Center publishes award-winning exhibition catalogues, books, and journals focusing on scholarship in the decorative arts, design history, and material culture.

Contemporary Artists
Publications
Barbara Nessim
An Artful Life


Publications
Waterweavers
A Chronicle of Rivers

Publications
Sheila Hicks
Weaving as Metaphor

Publications
Richard Tuttle
What Is the Object?
BGCX
Publications
Ritual and Capital
BGCX
2020

Publications
What is Research?
BGCX
2021

Publications
What is Conservation?
BGCX
2023

First Prize for the 2012 AAM Museum Publications Design Competition for the Exhibition Catalogues Category.

Honorable Mention for the 2012 San Francisco Book Festival award for Photography and Art.

Winner of the 2011 50Books/50Covers Book Design competition sponsored by Design Observer, AIGA, and Designers & Books.


In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll added a third division, Knoll Textiles, which brought textile production in line with a modern sensibility that used color and texture as primary design elements. In the early years, the company hired leading proponents of modern design as well as young, untried designers to create textile patterns. The division thrived in the late 1940s through 1960s and, in the following decade, adopted a more international outlook as design direction shifted to Europe. In the late 1970s and 1980s, Knoll tapped fashion designers and architects to bolster its brand. The pioneering use of new materials and a commitment to innovative design have remained Knoll’s hallmarks to the present day.

With essays by experts, biographies of about eighty designers, and images of textiles, drawings, furniture, and ephemera, Knoll Textiles, 1945-2010 is the first comprehensive study devoted to a leading contributor to modern textile design. Highlighting the individuals and ideas that helped shape Knoll Textiles over the years, this book brings the Knoll brand and the role of textiles in the history of design to the forefront of public attention.



Earl Martin is associate curator at the Bard Graduate Center, New York.

Paul Makovsky is editorial director of Metropolis magazine.

Bobbye Tigerman is assistant curator of decorative arts and design at the Los Angeles County Museum of Art.

Angela Völker is emeritus curator of textiles at the MAK, Vienna.

Susan Ward is an independent scholar.


Table of Contents
Foreword
Susan Weber

Introduction
Earl Martin

Editor’s Note

Chronology
Compiled by Ann Marguerite Tartsinis

1. The Design, Promotion, and Production of Modern Textiles in the USA, 1940-60
Susan Ward

2. Knoll Before Knoll Textiles, 1940-46
Paul Makovsky

3. Making Knoll Textiles: Integrated Fabrics for Modern Interiors, 1945-65
Susan Ward

4. The Heart and Soul of the Company: The Knoll Planning Unit, 1944-65
Bobbye Tigerman

5. Knoll without the Knolls: Change and Transformation, 1963-78
Angela Volker

6. Tradition and Reinvention: Knoll Textiles, 1978-2010
Angela Volker

Designer Biographies

Checklist of the Exhibit

Bibliography

Photographic Credits
Images