About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.






Publications

Bard Graduate Center publishes award-winning exhibition catalogues, books, and journals focusing on scholarship in the decorative arts, design history, and material culture.

Contemporary Artists
Publications
Barbara Nessim
An Artful Life


Publications
Waterweavers
A Chronicle of Rivers

Publications
Sheila Hicks
Weaving as Metaphor

Publications
Richard Tuttle
What Is the Object?
BGCX
Publications
Ritual and Capital
BGCX
2020

Publications
What is Research?
BGCX
2021

Publications
What is Conservation?
BGCX
2023

A richly crafted tribute to the pioneering avant-garde artist, designer, and entrepreneur Sonia Delaunay (1885–1979), whose boundary-breaking approach is echoed in the volume’s interdisciplinary and inspired design. This catalogue sets a new standard for the study of Delaunay, eschewing traditional chronological structures to better showcase groundbreaking research unifying the artist’s timeless oeuvre across mediums. This publication demonstrates Delaunay’s innate versatility and willingness to create without material limitation using her unique language of light and color. Textiles, fashion, interiors, book art, and more are highlighted across twenty-six chapters by leading international scholars to give new insight into Delaunay’s strategies of self-promotion, entrepreneurial endeavors, legacy-building efforts, and vast network of collaborators. These in-depth analyses, including previously under-investigated material such as film, mosaics, tapestries, and interior design, offer a comprehensive perspective on Delaunay’s lifelong effort to unite art with life by harnessing the energy of technological advancement and the beauty of artisanal craftsmanship. Finally, an appendix provides a unique personal note—an epilogue by Patrick Raynaud (born 1946), the last living member of Delaunay’s atelier—as a touching firsthand account of the artist’s working practices toward the end of her life. The design, by award-winning book creator Irma Boom, embraces Sonia Delaunay’s own approach to layout and typography, rendering a book that unites past and present.


The exhibition Sonia Delaunay: Living Art is on view at Bard Graduate Center Gallery from February 23–July 7, 2024.

Images