Shedding light on a near-forgotten aspect of New York City’s cultural history, this exhibition explores the history and material culture of the first world’s fair held in the United States.
The
New York Crystal Palace (formally known as the Exhibition of the Industry of
All Nations) opened in July of 1853, on the site of what is now Bryant Park, facing
Sixth Avenue between 40th and 42nd Streets. Housed in an
innovative cast‐iron and glass structure, the Crystal Palace
rates as one of the city’s first tourist attractions. It showcased an enormous
range of consumer goods and technological marvels of the age, a sampling of
which are presented.
Works on view range from large-scale full-color
prints to silver medals, majestically carved furniture and decorative tableware
to one of the earliest Singer sewing machines, strategically demonstrated by
women at the fair. Developing
photographic technology can be seen in remarkable salt prints by John Adams
Whipple and Victor Prevost. One of the more unusual objects is a patented
violin designed by the painter William Sidney Mount, who staged demonstrations
at the fair. Souvenirs, guidebooks, and early printed pictorial newspapers also
play a role in how this early popular attraction has been remembered. The thematic
presentation focuses as much on the experience of the Crystal Palace as the
goods inside and ends with the building’s tragic destruction by fire five
years after its dedication.
New York Crystal Palace 1853 is accompanied by a
digital publication that builds upon the 2015 Focus Project Visualizing 19th–Century New York. It contains essays on such topics as the food and drink available
to visitors and the smartly uniformed police officers who patrolled the display
areas. In‐gallery interactive components of the digital
publication explain more about the exhibits inside the Crystal Palace
building and the wider range of public activities going on outside the
exposition. Audio tours offer a first‐hand account by well‐known New Yorker Walt
Whitman—an enthusiastic and frequent visitor—as well as suggest how others
might have experienced the exhibition.
Digital Publications:
New York Crystal Palace 1853
This digital publication accompanies the 2017 exhibition, New York Crystal Palace 1853, on view at the Bard Graduate Center Gallery from March 24, 2017, to July 30, 2017.
A Focus Project curated by the late David Jaffee, Professor and Head of New Media Research, Bard Graduate Center. Focus
Projects are small-scale academically rigorous exhibitions and publications
that are developed and executed by Bard Graduate Center faculty and
postdoctoral fellows in collaboration with students in our MA and PhD programs.