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BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell





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BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

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The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



Charles Percier: Architecture and Design in an Age of Revolutions was the first large-scale exhibition to survey the magnificent range of projects undertaken by the French architect and interior designer from the end of the eighteenth to the beginning of the nineteenth century.

Although well known for his close collaboration with Pierre François Léonard Fontaine (1762–1853), this exhibition focused primarily on the individual accomplishments of Charles Percier (1764–1838), whose commissions for public and private clients significantly influenced decorative arts and architecture during an extremely turbulent and rapidly changing period in French history.

Featuring over 130 objects from principal museums and cultural institutions in France and the United States, as well as key objects from private collections, the exhibition included Percier’s designs for furniture, porcelain, metalwork, and the renovation of the rue de Rivoli—the construction of which transformed the center of Paris. Rare drawings and spectacular examples of early nineteenth-century cabinets, candelabras, and tureens will also be displayed. Examining his most seminal works, such as sketches for the arc du Carrousel, the interior designs for Josephine Bonaparte’s rooms at the Tuileries palace, and the magnificent books dedicated to Roman palaces and interior decoration, the exhibition demonstrated the diverse and extraordinary creations of an artist whose work brilliantly bridged ancien régime court culture and the industrial production of the nineteenth and early twentieth centuries.

The catalogue accompanying the exhibition was awarded of the 2017 Alice award from Furthermore grants in publishing, a program of the J. M. Kaplan Fund, given annually to an illustrated book that makes a valuable contribution to its field and demonstrates high standards of production. The book is available for purchase in the Gallery and in the online store here.


Curated by Jean-Philippe Garric, professor of history of architecture at the University of Paris I, Panthéon-Sorbonne and organized by Bard Graduate Center Gallery, the Réunion des musées nationaux—Grand Palais, and the château de Fontainebleau.

Charles Percier: Architecture and Design in an Age of Revolutions was on view at Bard Graduate Center, New York, from November 18, 2016 to February 12, 2017, and at Château de Fontainebleau from March 18 to June 19, 2017.


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Catalogue
On View at Château de Fontainebleau
Exhibition Views
Highlights








Credits
Leading support for this exhibition in New York is provided by The Selz Foundation with additional support from Max Blumberg and Eduardo Araújo and other generous donors. Special thanks to the Cultural Services of the French Embassy.