About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
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Wednesdays @ BGC
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Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

This Symposium was organized in conjunction with the exhibition Charles Percier: Architecture and Design in an Age of Revolutions, on view from (November 18, 2016 to February 5, 2017). This Symposium brought together experts and scholars in the fields of Architecture, Design, Art History and History. This was the first large-scale exhibition to survey the magnificent range of projects undertaken by the French architect and designer from the end of the eighteenth to the beginning of the nineteenth century. Although largely remembered for his close collaboration with Pierre François Léonard Fontaine (1762–1853)—together they defined the Empire style and created the decorative program of Napoleon’s reign—Charles Percier’s (1764–1838) artistic style was unique, complex, and ever-evolving.

The exhibition broke with the tradition of considering Percier and Fontaine together. This choice, shaped by the discovery of new documents relating to the production of the two partners, allowed a better understanding of Percier’s multifaceted artistic practice. By focusing on his seminal works, the exhibition demonstrated the diverse and extraordinary creations of an artist whose work brilliantly bridged ancien régime court culture and the industrial production of the nineteenth and early twentieth centuries.


Jeffrey L. Collins
Professor, Bard Graduate Center
Welcome


Jean-Philippe Garric
Curator, Charles Percier: Architecture and Design in an Age of Revolutions; Professor, History of Architecture, University of Paris I, Panthéon-Sorbonne
“Charles Percier: Beyond the Antique Model”


Iris Moon
Visiting Assistant Professor, School of Architecture, Pratt Institute
“New Heads for Old Bodies: Percier’s Designs for the French Revolution”


Ulrich Leben
Research Scholar and Visiting Professor, Bard Graduate Center
“Charles Percier’s Vision of Antiquity”


Darius Spieth
Professor, Art History, Louisiana State University
“Percier and Piranesi”


Jean-François Bédard
Associate Professor, School of Architecture, Syracuse University
“Franks, Not Romans: Medieval Imagery and the Making of Imperial France”


Response and Q&A moderated by Jeffrey L. Collins
Professor, Bard Graduate Center



Organized by Bard Graduate Center Gallery, New York, in association with the château de Fontainebleau and the Réunion des musées nationaux-Grand Palais, Paris. Additional support for this exhibition is provided through the generosity of Bernard & Lisa Selz, Max Blumberg & Eduardo Araújo, and other donors.