About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

In 1565, Leo Quiccheberg wrote a brief dedication to Emperor Maximilian II, recommending his brother Samuel Quiccheberg’s treatise on collecting, the Inscriptiones vel tituli Theatri amplissimi, which would be published later in the same year. By reading Samuel’s book, the ruler would learn “… what, from founding a theater of this sort, might be gained for Your Majesty’s prudentia from such a Kunst und Wunderkammer.” Written at the moment when the Habsburgs, Wittelsbachs, and other princely houses were first establishing collections as state institutions, this is among the earliest texts to connect museums with the ability to govern wisely and effectively. Both Leo and Samuel employ prudentia in specific reference to Aristotelian phronesis, the form of contingent wisdom required of rulers to respond to constantly changing circumstances. Above all, as Samuel’s treatise makes clear, a Kunstkammer might aid the ruler’s prudentia through technological development, especially at the service of the state’s economy and military, but also religion and learning. This conference explores the intertwined histories and philosophies of governance, techne, and collecting in the early-modern period. In particular, speakers will examine how the intersection of these three realms was informed by a newly pragmatic sensibility.


9:30 am
Peter N. Miller
Bard Graduate Center
Welcome

Andrew Morrall
Bard Graduate Center
Mark A. Meadow
University of California, Santa Barbara
Introduction




Texts/Theory/Codification of Ideas

9:50 am
Mark A. Meadow
University of California, Santa Barbara
Quanta prudentia et usus administrandæ reipublicæ: Mylaeus and Quiccheberg on the Utility of Techne




10:30 am
Vera Keller
University of Oregon
Jakob Bornitz and the Cameralists’ Kunstkammer




11:10 am
Coffee Break


11:30 am
Alessandra Russo
Columbia University
An Indestructible “Indian World” of Artists: Art, Prudence, and Desire in Bartolomé de las Casas’s Apologetic History


12:10 pm
Lunch Break


Collections and Objects

1:30 pm
Jessica Keating
Carleton College
Fruits of the Flesh: Abundance and Prudence in the Collection of Holy Roman Emperor Rudolf II




2:10 pm
Andrew Morrall
Bard Graduate Center
“For practical utility [and] noble meditations”: Craft, Techne, and the Pursuit of Virtue in the Early Modern Kunstkammer




2:50 pm
Coffee Break


Techne and Practice

3:10 pm
Tina Asmussen
ETH Zürich
Mining Investment and Antiquarian Practices in Late Sixteenth-Century Basel




3:50 pm
Ana Matisse Donefer-Hickie
The Metropolitan Museum of Art
The Noble Art: Alchemy at Court




Comment and Roundtable

4:30 pm
Pamela H. Smith
Columbia University
Comment





5:15 pm
Reception