About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

For much of the twentieth century, “Revivalism” and “Historicism” were seen as reactionary and outmoded tendencies in design. In 1961 Nikolaus Pevsner dismissed it out of hand, stating “all reviving of styles of the past is a sign of weakness.” Despite this sweeping condemnation, historicist and revivalist styles thrived in various parts of the world throughout the twentieth century, driven by a combination of nationalist, religious, aesthetic, and political agendas. This symposium aims to explore the meanings and deeper significance of revivalist movements in design, both short-lived and in the recurring forms that survived over longer periods. The main focus of the symposium will be design and decoration, both public and domestic, but there will be some consideration of architecture, which was often instrumental in establishing the iconography of revivalist movements. The underlying aim is not to rehabilitate revivalism, but to recognize its power in the modern world, and the ways in which revivalist styles in design and decoration have helped to shape public consciousness and identity.

Topics to be addressed will include National Romanticism, Colonial Revivalism, Craft as national identity and living tradition, the Neo-Baroque, and revivalism and nationalism in a post-colonial world.


9:30 am
Peter N. Miller
Bard Graduate Center
Welcome
Paul Stirton
Bard Graduate Center
Introduction




9:45 am
Paul Stirton
Bard Graduate Center
History, Historicism, and Revivalism




10 am
Juliet Kinchin
The Museum of Modern Art
Folk-Baroque-Modern: Synthesis and Mutation in Twentieth-Century Hungarian Design


10:40 am
Hedvig Mårdh
Uppsala University
The Gustavian Revival in Sweden




11:20 am
Coffee Break

11:40 am
Catherine Whalen
Bard Graduate Center
Americana Redux: Unruly Icons in the US Colonial Revival




12:20 pm
Christina L. De León
Cooper Hewitt Smithsonian Design Museum; Bard Graduate Center
Indigenous Revivalism in Latin America




1 pm
Lunch Break

2 pm
Antonio Fiore
Center for Italian Modern Art
The Shadows of Rome: The Classical Revival in Italy




2:40 pm
Kim Brandt
Columbia University
Made in Japan: Folk-Modernism and Mingei in the 1950s


3:20 pm
Coffee Break

3:40 pm
David Crowley
National College of Art and Design, Dublin
Modernism and the Spectres of the Past in Piłsudski’s Poland




4:20 pm
Eeva-Liisa Pelkonen
Yale University
Baroque Eons in Modern Architecture




5 pm
Panel Discussion




5:30 pm
Reception