About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Julius Bryant delivered The Majolica International Society Lecture on Wednesday, May 3, at 6 pm. His talk was entitled “From Maiolica to Majolica: The Decoration of the Victoria and Albert Museum.”

From its origins in the 1850s the Victoria and Albert Museum had a major influence on the appreciation of Renaissance maiolica and Victorian majolica, not only through the display of historical collections and contemporary wares but also through the very fabric of its new buildings. Herbert Minton and the museum’s first director Henry Cole first met in 1842; their friendship is reflected both in early loans and purchases and in the elaborate architectural decoration of the principal interiors. This richly-illustrated lecture will reveal how maiolica and majolica became the key materials of the controversial new museum’s challenge to ideas of good taste, as it sought to set new standards of design for Victorian Britain.


Julius Bryant is Keeper of Word and Image at the Victoria and Albert Museum where he is responsible for the collections of paintings, prints, drawings, designs, photography, posters, watercolours, the art of the book, the Archive of Art and Design, and the National Art Library. He was previously Chief Curator and Director of Museums and Collections at English Heritage (1990–2005). He has co-curated a series of major exhibitions with Dr. Susan Weber for Bard Graduate Center and the V&A, including: James “Athenian” Stuart, 1713–1788: The Rediscovery of Antiquity (2006–2007); William Kent: Designing Georgian Britain (2013–2014); and currently John Lockwood Kipling: Arts & Crafts in the Punjab and London (father of Rudyard Kipling) for the V&A and BGC in 2017. His book on museum architecture and decoration, Designing the V&A 1857–1909, will be published in May 2017 to coincide with this lecture.



This event will be livestreamed. Please check back the day of the event for a link to the video. To watch videos of past events please visit our YouTube page.