About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.






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The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



John Lockwood Kipling: Arts & Crafts in the Punjab and London is the first major exhibition to examine John Lockwood Kipling (1837‐1911)—designer, architectural sculptor, curator, educator, illustrator, and journalist—whose role in the nineteenth‐century Arts and Crafts revival in British India has received little attention. John Lockwood Kipling started his career as an architectural sculptor at the South Kensington Museum (later renamed the Victoria and Albert Museum) in 1861. He then spent a decade teaching at the Sir Jamsetjee Jeejeebhoy School of Art in Mumbai, and a further eighteen years as principal of the Mayo School of Industrial Arts in Lahore (today Pakistan’s National College of Arts) and as curator of the Lahore Museum.

The exhibition is the result of a three‐year international research project bringing together scholars from Mumbai, Lahore, London, New York, Vermont, and Hawaii. It focuses on Lockwood Kipling’s curatorship of the Lahore Museum, his journalism over 25 years in India, and his influence on his son, the writer and poet, Rudyard Kipling (1865‐1936). Nearly three hundred objects—encompassing metalwork and furniture, drawings and paintings, as well as ceramics and relief sculpture—from lenders across Britain as well as the United States and Pakistan, areon view.

The catalogue accompanying the exhibition is available for purchase in the Gallery or online in the store.


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Catalogue
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Credits
Support for John Lockwood Kipling: Arts & Crafts in the Punjab and London has been provided by Martin Levy, Camilla Dietz Bergeron and Gus Davis, Edward Lee Cave, Vera Mayer, and other generous donors to Bard Graduate Center.

Curated by Susan Weber, Founder and Director, Bard Graduate Center, and Julius Bryant, Keeper of Word and Image, Victoria and Albert Museum, London. Organized by Bard Graduate Center Gallery and the Victoria and Albert Museum, London, John Lockwood Kipling: Arts & Crafts in the Punjab and London was on view at the V&A from January 14 through April 2, 2017.