About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Pat Kirkham presented at the Modern Design History Seminar on Wednesday, December 7, 2016 at 6 pm. Her talk was entitled “Charles and Ray Eames: The Hollywood Connections.”

This talk draws upon Kirkham’s research on recently available documents and photographs in the Charles and Ray Eames Papers in the Library of Congress that relate to the Eameses and Hollywood. She focuses on the blurred boundaries between the Eameses’ personal and professional relationships with a variety of Hollywood figures, and the resultant design and film commissions they undertook. Examples stretch from designing a house for film director and producer Billy Wilder to working as consultants on Hollywood feature films. Kirkham also touched upon the ways in which the Eameses dealt with the Cold War “Red Scare” in Hollywood from the late 1940s through the 1950s.


Pat Kirkham is Professor Emerita at Bard Graduate Center and was recently appointed Professor of Design History at Kingston University. She studied history as an undergraduate at the University of Leeds and received her PhD from the University of London. She taught the history of architecture and design as well as film and media studies at De Montfort University in England before moving to Bard Graduate Center. Her many publications include Charles and Ray Eames: Designers of the Twentieth Century (MIT Press, 1995); Women Designers in the USA, 1900–2000: Diversity and Difference(ed. and contributing author; Yale UP, 2000); Saul Bass: A Life in Film and Design(Laurence King, 2011); The Gendered Object (ed. and contributing author; Manchester UP, 1996); and History of Design: Decorative Arts and Material Culture, 1400–2000 (ed. with Susan Weber; Yale UP, 2013). She is currently in residence at Bard Graduate Center as a Research Fellow where she is working towards completing a book on the multiple interconnections between Charles and Ray Eames and Hollywood. Her study brings together social, cultural, design, film, and political history, and she is keen to assess the interrelations between the Eameses’ networks of friendship and acquaintance and those related to work.