Aaron Glass and Judith Berman “The Distributed Text: Uniting Museums, Archives, and Indigenous Knowledge around Franz Boas’s 1897 Monograph.” (Presented at the session “Transcending Shifts and Frictions in the Museum ‘Apparatus,’” American Anthropological Association Annual Meeting, San Francisco, CA: Nov. 14-18, 2012).
Aaron Glass “The Distributed Text: A Critical Digital Edition of Franz Boas’s 1897 Monograph.” (Presented at After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge, National Museum of Natural History, Smithsonian Institution, Washington DC: Jan. 18-21, 2012)
Judith Berman and Aaron Glass “Recuperating the Boasian Archive: A Collaborative Effort to Reunite Objects, Records, and Indigenous Knowledge.” (Presented at the invited session “Unsettling Records: Images and Objects,” Canadian Anthropology Society-La Société Canadienne d’Anthropologie Conference, Victoria, BC: May 8-11, 2013).
Aaron Glass and Judith Berman “”Reassembling The Social Organization: Collaborative Ethnography and Digital Media in the Making and Remaking of Franz Boas’s 1897 Monograph.” (Presented at the session “Refamiliarizing The Estranged: Digital Representation of Indigenous Peoples Through Sharing, Collaboration, and Negotiation,” American Anthropological Association Annual Meeting, Denver, CO: Nov. 18-22, 2015).
Rainer Hatoum, Aaron Glass and Judith Berman “”Reassembling The Social Organization: Museums, Collaboration, and Digital Media in the Making and Remaking of Franz Boas’s 1897 Monograph.” (Presented at the session “Re-visioning Material Anthropological Legacies for Cosmos-optimal Futures,”European Association of Social Anthropologists Conference, Milan, Italy:July 20-23, 2016).
Aaron Glass “Reassembling
The
Social Organization: Anthropological Typology meets Indigenous
Ontology in the Franz Boas Critical (Digital) Edition.” (Presented at the
symposium “The Politics of Classification,” Department of
Information Studies, UCLA, Los Angeles, CA: May 5, 2017).
Aaron Glass “Reassembling
The
Social Organization: Uniting Museums, Archives, and Indigenous Knowledge
around Franz Boas’s 1897 Monograph.” (Presented at the session
“Northwest Coast Native Art History Now,” Native American Art Studies
Association Biennial Meeting, Tulsa, OK: Oct. 25-29, 2017).
Aaron Glass and Judith Berman “What is a Mask?
Materiality, Instantiation, and Title.” (Presented at the
session “Perspectives on ephemerality and preservation: From language
to digital media, communities to institutions,” American
Anthropological Association Annual Meeting, Washington, DC: Nov. 29-Dec. 3,
2017).
Aaron Glass and Judith Berman “Reassembling
The Social Organization: Uniting Museums, Archives, and Indigenous Knowledge around Franz Boas’s 1897 Monograph.” (Presented at the session “Connecting Collections: Collectors of Pre-Columbian and Indigenous American Art in the Americas and Europe,” Society of American Archaeologists Annual Meeting, Washington, DC: April 11-15, 2018).
Aaron Glass and Judith Berman “Reassembling
The Social Organization: Museum Collections, Indigenous Knowledge, and the Recuperation of the Franz Boas/George Hunt Archive. (Presented in the session “Breaking the Silence: Heritage Objects and Cultural Memory,” Annual Meeting of the Royal Anthropological Institute, London, UK: June 1-3, 2018).
Aaron Glass “Reuniting Objects, Records, and Indigenous Knowledge in Digital Platforms.” (International Conference of the Association of Tribal Archives, Libraries and Museums, Prior Lake, MN: Oct. 8-11, 2018).
Watch online.
Aaron Glass, Judith Berman, Ira Jacknis, Rainer Hatoum, Andy
Everson, and Corrine Hunt “Field/Fair/Museum: Franz Boas, George Hunt and the Making
of Anthropology.” (A symposium held at Bard Graduate Center, New York, NY:
Feb. 15, 2019).
Watch online.
Judith Berman “George Hunt at X̱wa̠mdasbi’: Constructing Kwakwa̠ka̠’wakw Biographies
in the 19th Century.” (Presented at the session
“Dialogical Anthropology: British Columbia in the Boasian Era,
1880s-1940s,” Annual Meeting of the Canadian Historical Association,
Vancouver, BC: June 3, 2019).
Ira Jacknis “British Columbia in Miniature: Model Dioramas in American
Anthropology Museums, 1895-1925.” (Presented at the session “Dialogical Anthropology: British
Columbia in the Boasian Era, 1880s-1940s,” Annual Meeting of the Canadian
Historical Association, Vancouver, BC: June 3, 2019).
Aaron Glass, Judith Berman, Ira Jacknis, Rainer Hatoum, and Andy
Everson “Re-assembling
The
Social Organization: Franz Boas, George Hunt, and the Changing Climates of
Collaborative Ethnography in British Columbia.” (Executive Session
presented at the American Anthropological Association Annual Meeting,
Vancouver, BC: Nov. 20-24, 2019).
Aaron Glass, Judith Berman, and Dean Irvine “Reorganizing
The Social Organization: Collaborative Editing, Museum Collections, Indigenous Knowledges, and the Franz Boas/George Hunt Archives.” (Presented at “Building Community Online,” Canadian Society of Digital Humanities, online conference, June 1-4, 2020).
Aaron Glass “Reflections on
The Story Box: Remediating Franz Boas for Multiple Publics.” (Presented at “People: A Global Dialogue on Museums and their Publics.” Metropolitan Museum of Art, New York, NY [via Zoom]: May 18-20, 2021).
Aaron Glass “Remediating the Archive/Collection for Multiple Publics.” (Presented in “Putting Theory and Things Together: Conversations about Anthropology and Museums.” Summer Institute for Museum Anthropology, National Museum of Natural History [via Zoom]: Oct. 7, 2021).
Aaron Glass “Remediating the Archive: On Ethnographic Collections, Indigenous Ontologies, and the Problem of Metadata.” (Presented in “The Museum as Archive: Using the Past in the Present and Future.” Centre for Research on Colonial Culture, University of Otago, Dunedin, New Zealand [via Zoom]: Dec. 16-17, 2021).
Aaron Glass “What is a Mask? Indigenous Ontologies of Carving and Kinship.” (Presented in “Surrogates: Embodied Histories of Sculpture in the Short Twentieth Century.” Department of the History of Art, Yale University: Sept. 29-Oct. 1, 2022).
Judith Berman “The Seeing and Unseeing of George Hunt.” (Presented at the
(Re)Visualizing Art, Museums, and Ethnography on the Northwest Coast: Papers in Honor of Ira Jacknis, American Anthropological Association Annual Meeting, Seattle, WA, 9-13 Nov 2022.)
Judith Berman “The Seeing and Unseeing of George Hunt.” (Presented at the
Generations, Partnerships, and Anthropological Interpretation in British Columbia, BC Studies Conference, University of Fraser Valley [via Zoom], 6-8 May 2021.)
