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Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.






Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.
ca. 1955. Nordiska Kompaniet, Stockholm. Wood. 5¼ × 4¾ × 1½ in. (13.3 × 12 × 3.8 cm). Private collection.


From the Exhibition:

Swedish Wooden Toys


The bright red wooden Dala horse with the painted saddle and reins is an emblem of modern Sweden, but it evokes a much longer heritage of handicraft and tradition. In rural areas, small horses carved from bits of wood became one of the most ubiquitous homemade toys before the onset of industrialization.

The horses carved and painted in the style typical of the Dalarna region, in central Sweden, attracted attention in the mid-nineteenth century as middle-class city dwellers looked to rural culture as an antidote to urbanization. The Dalarna area also appealed to artists such as Carl and Karin Larsson who moved there and recorded the habits and pleasures of rural life. In the frontispiece to his book Spadarfvet: Mitt lilla landtbruk (The Heritage of the Spade: My Little Farm) 1906, Larsson depicts his children, dressed in regional clothing, playing farm with two red Dala horses and pigs assembled from pinecones and matchsticks.

As a Dalarna tourist industry developed, it fixed on regional traditions, folklore, and handicrafts, and the painted wooden horse became one of the most popular souvenirs. Although other animals—pigs and cows—and a wider variety of color schemes existed, the orange-red horse became increasingly standardized and was carved and painted serially by a few families who divided the labor and dominated the trade serving tourism. By the early twentieth century, the Dala horse was a recognized symbol and was adopted by the Swedish government to represent the country at the international exposition held in Paris in 1937 and again at the New York World’s Fair of 1939-40. This horse, machine-made and hand-painted, was purchased as a souvenir in the 1950s by an American from Los Angeles at the Stockholm department store Nordiska Kompaniet.