About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Join us for an artist talk with conceptual artist Charisse Pearlina Weston. This evening is co-sponsored by the Queens Museum, where Weston’s artworks, including glass sculpture, photographic prints, and site-specific installation, will be on view from October 2022 through March 2023 in a solo show titled of [a] tomorrow: lighter than air, stronger than whiskey, cheaper than dust. The artist talk will be followed by a conversation with Queens Museum assistant curator Lindsey Berfond. Weston is a researcher-in-residence in the Bard Graduate Center Fields of the Future Fellowship program.
Charisse Pearlina Weston (b.1988; Houston, TX) has exhibited in group shows at Contemporary Art Museum Houston and the Hessell Museum of Art at Bard College (forthcoming) and has had solo shows at Project Row Houses and the Queens Museum (forthcoming). Weston has received awards from the Artadia Fund, the Dallas Museum of Art, and the Graham Foundation and fellowships from the Dedalus Foundation and the Museum of Art and Design (MAD). She is the recipient of MAD’s 2021 Burke Prize. She holds an MFA from the University of California-Irvine and participated in the Whitney Independent Study Program.

Lindsey Berfond is an assistant curator and Studio Program manager at the Queens Museum, where she has organized and supported more than 13 exhibitions, including the Queens International 2016 and QM-Jerome Foundation Fellowship exhibitions by Alexandria Smith and Asif Mian. Since 2019 she has managed the Museum’s artist residency program and collaborated on a wide range of public programs and community-engaged projects with artists, thinkers, cultural producers, and communities. Berfond earned her BA in art history from NYU and her MA from the Center for Curatorial Studies, Bard College. Upcoming exhibitions include ambitious solo presentations by artists Charisse Pearlina Weston and Xaviera Simmons.

This event is organized in partnership with the Queens Museum.

This event was made possible with support from the Paul and Irene Hollister Endowment at Bard Graduate Center. Paul Hollister (1918–2004) was an influential critic of contemporary studio glass and glass historian. Irene Hollister (1920–2016) was a philanthropist, advocate for glass scholarship, and founding administrator of the Association for Computing Machinery.