About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Shamil Jeppie presented at the seminar in Art and Material Culture of Africa and the African Diaspora on Tuesday, May 3, 2022 at 6 pm. His talk is entitled “Late Sixteenth- and Early Seventeenth-Century Books and Exile in the Sahara.”


Books have a longer history in West Africa and the Sahara than has been acknowledged until recently. A culture of writing and reading was firmly established in Timbuktu by the fifteenth century, and books were among the objects that moved with trading caravans across the Sahara. Against this background, this lecture will examine a case of reading and writing by an exile, the scholar Ahmad Bābā from Timbuktu, in Marrakesh in the 1590s.


Shamil Jeppie teaches history at the University of Cape Town, where he also established the Tombouctou Manuscripts Project in the early 2000s to research the book culture in Timbuktu and the broader region. The volume The Meanings of Timbuktu (2008; French translation 2011) brought together work by outside scholars, local experts, and collectors and provided many images of individual texts. Jeppie is completing a general introduction to the book provisionally titled Timbuktu: Desert Scholars and Collectors. Apart from this area of work, he has written on aspects of South African urban social history and is involved in Africa-wide and South-South humanities networks. He was educated in Cape Town and Princeton.