About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Bénédicte Savoy spoke at the Seminar in Epistemologies of Material Culture on Wednesday, April 13, 2022 at 6 pm. Her talk is entitled “Africa’s Struggle for Its Art: History of a Postcolonial Defeat, 1965–1985.”


Focusing on the two decades immediately after eighteen former colonies across the African continent gained independence from France, Belgium, Germany, and the United Kingdom, this lecture follows the ultimately unsuccessful efforts by cultural and political leaders and politicians across Africa, in the diasporas, and in Europe itself, to demand the return of art and address the power dynamics and ideologies of racism and Western chauvinism—still prevalent in contemporary repatriation discussions—that prevented these myriad objects’ return to their countries of origin. Research in the archives clearly shows that almost every conversation we have today about the return of cultural property to Africa took place forty years ago. The return of cultural property is an integral part of larger social and political relations between European and African countries.


Dr. Bénédicte Savoy was born in Paris in 1972. Since 2009, she has been professor of modern art history at the Institute of Art Studies and Historical Urban Studies at the Technische Universität Berlin. In 2016, she was awarded the Leibniz Prize by the Deutsche Forschungsgemeinschaft. Savoy is a member of the Berlin-​Brandenburg Academy of Sciences and Humanities and the German Academy for Language and Literature. In 2016, she was appointed professor at the Collège de France in Paris.

Her book, Africa’s Struggle for Its Art: History of a Postcolonial Defeat, is available here. Use the code SAVOY22 for a 30% discount through June 30, 2022.