About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

In celebration of Bess Williamson’s Accessible America: A History of Disability and Design, which was awarded the 2019/20 Mr. and Mrs. Raymond J. Horowitz Book Prize, leading disability history scholars, artists, and designers discussed studies of access and design history.

In the morning, “Conversations” brought together writers on architecture, space, and sound to reflect on the role of disabled activists, designers, and engineers in producing the technological world we live in. As longtime collaborators and correspondents, they also shared correspondences between their work across academic fields that come together in the practices of Disability Studies.

The afternoon panel brought together Riva Lehrer, Jennifer White-Johnson, and Josh Halstead—artists, designers, writers, and creative thinkers with deep ties to activist and creative histories of disability. They shared their own practices that draw on disability community and justice stories of past and present. Author Bess Williamson moderated and invited audience discussion.


Conversations on Disability History and Academic Community (10 am–12 pm)

10 am - Welcome from Catherine Whalen (Professor, Bard Graduate Center) and Introduction by Bess Williamson (author, Accessible America: A History of Disability and Design)

10:15 am - Bess Williamson with Aimi Hamraie (author, Building Access: The Politics of Universal Design)

11 am - Break

11:15 am - Jonathan Sterne (author, Diminished Faculties: A Political Phenomenology of Impairment) with Mara Mills (co-editor, Testing Hearing: The Making of Modern Aurality)

Who Makes Access? Designer + Artist roundtable (1:30–3 pm)

Moderated by Bess Williamson. With Riva Lehrer (artist, author of Golem Girl), Jennifer White-Johnson (designer, creator of “Black Disabled Lives Matter” symbol and other work celebrating Autistic Joy), and Joshua A. Halstead (designer, co-author of Extra Bold: A Feminist, Inclusive, Anti-Racist, Non-Binary Field Guide for Graphic Designers)


Cart captioning and ASL provided. All visual material will be described.


The Mr. and Mrs. Raymond J. Horowitz Book Prize for the best book on the decorative arts, design history, or material culture of the Americas published in 2019 or 2020 has been awarded to Accessible America: A History of Disability and Design by Bess Williamson (New York University Press). The prize rewards scholarly excellence and commitment to cross-disciplinary conversation.

In commending Accessible America, the prize committee points out how, in a politically astute text, the author does not treat disability in isolation, but as an issue with ramifications for design more generally: “Williamson discusses seldomly contemplated objects that, although initially addressing the needs of the disabled, have shaped and continue to shape the lives of most people in the U.S.A. today, and in the Americas more broadly. As such, it is a compelling study of the relationships between people and things, and is clearly an outstanding contribution not only to disability studies but also to design studies and design history.”


Bess Williamson is associate professor of art history, theory, and criticism at the School of the Art Institute of Chicago. She is co-editor of Making Disability Modern: Design Histories, which examines objects, buildings, and systems that reflect changing design approaches to disability from the eighteenth century to the present.