About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Paul Basu presented at the seminar in Indigenous Arts in Transition on Wednesday, March 16, 2022 at 6 pm. His talk is entitled “Museum Affordances: Colonial Collections, Decolonial Possibilities.”

Basu writes, “What do museums and their collections make possible? How can we activate these latent possibilities? Through such activation, can archives and collections assembled in the context of colonial scientific expeditions contribute to the project of decolonization? Over the last four years, we have been exploring these questions through an extended experiment in museum methods. Thinking with James Gibson’s concept of ‘affordance,’ we have been examining how the possibilities perceived in collections change over time and context. Working with a remarkable assemblage of artifacts, photographs, sound recordings, botanical specimens and archival documents that constitute the material legacy of a series of anthropological surveys in West Africa in the early twentieth century, we have sought to understand what these things were perceived to afford historically and what they might afford today for different stakeholders and communities. This talk provides an introduction to the work of the Museum Affordances / [Re:]Entanglements project.”

Paul Basu is currently visiting professor in the Department of Anthropology, University College London. He was previously professor of anthropology at the School of Oriental and African Studies, University of London, and professor of anthropology and cultural heritage studies at the Institute of Archaeology, University College London. Basu has long-standing research interests in the spatial and temporal dynamics of material culture and memory, including the intersecting journeys of people, things and narratives of the past. He has conducted extensive research on the history of anthropology and anthropological collecting and the value of historical ethnographic collections for different stakeholders and communities in the present. For many years the regional focus of his work has been in West Africa. His books include Highland Homecomings (2007), Exhibition Experiments (with Sharon Macdonald, 2007), Museums, Heritage and International Development (with Wayne Modest, 2015) and The Inbetweenness of Things (2017). He has curated several exhibitions, including [Re:]Entanglements: Colonial Collections in Decolonial Times, currently on display at the Museum of Archaeology and Anthropology, Cambridge, UK. He recently led the multi-partner Museum Affordances research project.