About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Dr. Stephanie Bunn presented at the seminar in Archaeological Encounters on Thursday, January 20, at 12:15 pm. Her talk is entitled “Craft, Embodied Knowledge, and Learning through the Hands.”

We learn textile skills through subtle and manipulative actions of our hands, whether sewing, weaving, embroidery or basketry, so studying textiles can only be enriched through hands-on practice of these skills. Dr. Bunn gives a brief account of her 30 years of anthropological research into textiles through practice, asking the question, “What are we learning alongside the skills themselves?” She answers this by expanding on two recent basketry projects, Woven Communities and Forces in Translation. Woven Communities uses basketry as a “way in” to understanding Scottish social history, developing into a study of basketry as therapy and rehabilitation. Forces in Translation explores the convergence between basketry hand skills and geometric and spatial cognition. Here, the possibility that hand skills provide an important and essential complement to other forms of learning is discussed.


Dr. Stephanie Bunn is an anthropologist of textiles at the University of St Andrews and conducts research on central Asian textiles and basketry. She has curated numerous exhibitions, including the first-ever British Museum exhibition of Kyrgyz felt textiles. She is author of Nomadic Felt (British Museum Press), editor of Anthropology and Beauty (Routledge) and co-editor of The Material Culture of Basketry (Bloomsbury). She currently collaborates with several scholars and basket-makers on Forces in Translation, researching the relationship between basket-work and mathematics.