About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Monica L. Miller presented at the seminar in Art and Material Culture of Africa and the African Diaspora on Tuesday, November 9, at 12:15 pm. Her talk is entitled “Rhizomatic Forms and Global Black Aesthetics.”

Miller writes, “In this paper, I will examine recently published memoirs and fictional accounts of growing up Black and Swedish and argue that the ways in which they experience and navigate Sweden’s racial regime and often, at least rhetorically, describe their way to Swedishness and Blackness, happens by way of an exploration of a sense of diasporic Blackness that is best figured as rhizomatic. This rhizomatic thinking reconfigures the way in which we think about the space/time of Blackness, and opens up theorization and recognition of black identities in a globally inclusive frame. These identities are related to, but not limited by, experiences of anti-blackness, and rather serve in the creation of an affiliative black consciousness. In particular, I’m interested in theorizing the narration of self and becoming in these memoirs as a kind of spatial and grammatical journey through tense and (black) time that creates, in the end, a sense of place and belonging.”

Monica L. Miller is Ann Whitney Olin Professor of Africana Studies and English at Barnard College, Columbia University. A specialist in contemporary African American and Afro-diasporic literature and cultural studies, she is the author of the award-winning book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. A frequent commentator in the media and arts worlds, she teaches and writes about black literature, art, and performance, fashion cultures, and contemporary Black European culture and politics. She is at work on a book project, Blackness Swedish Style: Race, Diaspora, and Belonging, which considers cultural production by the emerging black community in Sweden and its connection to black European identity formation and cultural/political movements. She also currently serves as the Dean for Faculty Diversity and Development at Barnard College.