About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.


Anna Arabindan-Kesson presented at the Digital Humanities/Exhibitions Seminar on Thursday, October 7, at 12:15 pm. Her talk was entitled “Art Hx: Digital Archiving and Forms of Care.”

This talk focused on the ways digital tools can be used to create alternative spaces of archival organization, exploration, and interpretation. It centered on the project Art Hx: Visual and Medical Legacies of British Colonialism, and the tensions and opportunities it raises for reimagining practices of interpretation and care in our engagement with colonial objects, archives, and histories.

Anna Arabindan-Kesson is an immigrant art historian, writer, and curator. She trained and worked as a registered nurse before transitioning to a career in the humanities and completing her PhD in African American studies and art history at Yale University. At Princeton University, she is assistant professor of Black diasporic art with a joint appointment in the Departments of African American Studies and Art and Archaeology. In her research and teaching, she focuses on Black diaspora and British art, with an emphasis on histories of race, empire, and medicine. Arabindan-Kesson’s first book, Black Bodies, White Gold: Art Cotton and Commerce in the Atlantic World, was published by Duke University Press in May 2021. She is currently a visiting fellow at Columbia University’s Center for the Study of Social Difference and a 2021 Center for Digital Humanities Data Fellow at Princeton University. She has worked on several curatorial projects and currently serves as an advisory council member for the Jamaican artist-run initiative NLS Kingston and 12 Gates Arts. Additionally, she serves on the board of trustees for the contemporary photography organization Philadelphia Photo Arts Center.

This event will be held via Zoom. A link will be circulated to registrants by 10 am on the day of the event. This event will be live with automatic captions.