About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

As we increasingly rely on digital technologies for memory and preservation, these tools can also help us to recover, redefine, and reimagine the past, particularly through the exploration of lost and marginalized voices and cultures. This seminar highlights digital projects that draw attention to these forgotten and overlooked histories, illuminating their importance and encouraging dialogue that has the ability to shape how we understand their legacy and impact. Speakers will explore projects that not only hold the power to alter our perception of the past, but move us toward a digital future that is more inclusive and that honors the lives and contributions of a multitude of diverse voices and stories.

Speakers will present short papers followed by a moderated conversation and question and answer session.


Lorena Gauthereau
University of Houston
Recovering US Latinx Legacies of Trauma and Survival in the Digital Age
Projects: Are We Good Neighbors? Mapping Discrimination Against Mexican Americans in 1940s Texas, RECOVERY

Samantha Shorey
The University of Texas at Austin
Mending Technology History through Re-Presencing the Past
Project: Making Core Memory

Carrie Heitman
University of Nebraska–Lincoln
Digital Echoes of Analog Pasts: When “Lost” Narratives Collide in Digital Spaces
Projects: The Salmon Pueblo Archaeological Research Collection (SPARC), Chaco Research Archive, The Greater Chaco Landscape: Ancestors, Scholarship, and Advocacy

Roopika Risam
Salem State University
Preserving the Past in the Present: The Case of Torn Apart / Separados
Projects: Torn Apart/ Separados, The Global Du Bois, Reanimate

Moderated by Jesse Merandy
Bard Graduate Center