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Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Michael Chazan will give a Brown Bag Lunch presentation on Thursday, February 4, at 12:15 pm. His talk is entitled “The Reality of Artifacts: An Archaeological Perspective.”

Artifacts are not an “add on” to humanity but rather an integral part of the context within which we became, and become, human. That these objects are at one and the same time material—and thus part of the physical world—and cultural presents a fundamental analytical challenge. It is this realm of artifacts stretching back over 2.5 million years that makes up a major component of archaeological research. This project uses an archaeological perspective to consider the nature of artifacts, arguing that artifacts are not a “type” of object but rather a status of objects when they are brought into human experience. The definition of artifact as a status opens questions about the relations of artifacts to the mind, to the body, as well as the limits and the potential autonomy of artifacts. This talk will present the basic argument for artifact as a status and then will focus on what recent research on early stone tools tells us about the cognitive engagement involved in artifact manufacture and use. The talk will draw on Chazan’s research at the site of Wonderwerk Cave, South Africa.


Michael Chazan is a Professor in the Department of Anthropology at the University of Toronto and coordinator of the Material Culture Program at Victoria College, University of Toronto. He is the author of The Reality of Artifacts: An Archaeological Perspective and World Prehistory and Archaeology: Pathways Through Time, both published by Routledge. He has carried out fieldwork in the Middle East and South Africa and currently co-directs the Wonderwerk Cave Research Project, Northern Cape Province, South Africa.