About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.


Jill Ahlberg Yohe and heather ahtone will present at the Indigenous Arts in Transition Seminar. They will each give a short paper followed by a moderated conversation and Q&A session.


“A Story in the Making: Creating Hearts of Our People: Native Women Artists” (Jill Ahlberg Yohe)

In this talk, Dr. Ahlberg Yohe will discuss the development of the recent exhibition Hearts of Our People: Native Women Artists. Along with Teri Greeves (Kiowa; co-curator) and an Exhibition Advisory Board of twenty-one Native artists and Native art scholars from across the United States and Canada, Native Women Artists was an attempt to incorporate alternative curatorial approaches to a large traveling Native art exhibition. Dr. Ahlberg Yohe will reflect upon this process and share her experiences of creating this exhibition, and the stories that emerged through the making.

“Decolonizing the Museum: An Indigenous Curator’s Thoughts” (heather ahtone)

In 2019, dr. ahtone was asked “what has to happen to make sure that good curatorial work is not personality based but institutionalized for a longer lasting effect?” Considering this question, ahtone uses her current work at First Americans Museum as a point of examining how long term change can be effected to the benefit of the institution, audiences, and donors.


Jill Ahlberg Yohe is the Associate Curator of Native American Art at the Minneapolis Institute of Art. In 2008, Ahlberg Yohe received her PhD from the University of New Mexico, where her dissertation focused on the social life of weaving in contemporary Navajo life. Along with Kiowa artist and curator Teri Greeves, Ahlberg Yohe is the co-curator of the traveling exhibition Hearts of Our People: Native Women Artists. At Mia, Ahlberg Yohe seeks new initiatives to expand understandings and new curatorial practices of historic and contemporary Native art.


heather ahtone is Senior Curator at First Americans Museum (FAM) in Oklahoma City, Oklahoma. She examines the intersection between Indigenous cultural knowledge and contemporary art. Working in the Native arts community since 1993, she has curated numerous exhibits, publishes regularly, and continues to seek opportunities to broaden discourse on global contemporary Indigenous arts. She is a citizen of the Chickasaw Nation and descended from the Choctaw Nation. She and her team are working to prepare a global destination celebrating the histories and culture of Oklahoma’s tribal communities, set to open in May 2021.