About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.


BuYun Chen will present at the Global Middle Ages Seminar on Tuesday, October 15, at 6 pm. Her talk is entitled “Crafting Cosmopolitanism in Tang China (618–907).”

From the sixth to eighth century, trade along the Silk Roads and imperial expansion into Central Asia filtered new goods, technology, and people into the frontier towns and interior cities of the Tang empire (618–907). The trade yielded a profound impact on the local production of luxury goods by introducing Tang artisans to a new stock of patterns, colors, and techniques from visual and material cultures west of the empire. Focusing on silk design and production, this talk explores the central role ornament played in exchanges between empires and their subjects and, also, in the aesthetic play of fashion during a dynamic period of global history.


BuYun Chen is a historian who specializes in the history of textile production, fashion, and craft technology in premodern China. She recently completed a book on the history of fashion during the Tang dynasty, titled Empire of Style: Silk and Fashion in Tang China (University of Washington Press). Her current research explores how the circulation of raw materials, finished goods, and technical knowledge between China, Japan, and Southeast Asia shaped local craft practices.