About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Nathan Schlanger spoke at the Seminar in Cultural History on Wednesday, April 23, 2014. His talk is entitled “‘Material Culture’: The Concept and its Use in Historical Perspective.”

The more “material culture” becomes a catchall concept in contemporary social sciences, the more it deserves its own critical history. The identification of the concept in the heydays of nineteenth-century anthropology—when in fact the term did not exist as such—is a prelude to its naturalization and its neutralization, as a descriptive category whose objective study is seemingly devoid of extra-disciplinary implications. As Schlanger will show, however, drawing on both Anglo-Saxon and French research traditions, the study of material culture actually raises a range of ideological, political, anthropological, and economic challenges that we will do well to acknowledge.


Nathan Schlanger works at the French Institut National de Recherches Archéologiques Préventives (INRAP). He is also associated with the UMR Trajectories in Nanterre and is a member of the research team at the École du Louvre. He received his PhD from the University of Cambridge. Schlanger’s research interests include prehistoric technology, material culture studies, the history and politics of archaeology, and archaeological heritage management and policy. He has notably worked on the technological approach developed by Marcel Mauss, André Leroi-Gourhan, and the French research tradition. His recent publications include European Archaeology Abroad: Global Settings, Comparative Perspectives, co-editors, S.J. van der Linde, M.H. van den Dries, and C.G. Slappendel (Leiden: Sidestone Press, 2012); Marcel Mauss: Techniques, technologie et civilisation (Paris: Presses Universitaires de France, 2012); La préhistoire des autres: perspectives archéologiques et anthropologiques, co-editor, Anne Christine Taylor (Paris: La Découverte Editions, 2012); and Archaeology and the Global Economic Crisis: Multiple Impacts, Possible Solutions, co-editor, Kenneth Aitchison (Tervuren, Belgium: Culture Lab Editions, 2010).