About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Arundhati Virmani spoke at the Seminar in Cultural History on Wednesday, October 30, 2013. Her talk was entitled “Indian Wedding Cards: Publicizing the Intimate.”

Wedding invitations do not have a long history in India. They emerged during the early 20th century, adopted by Indian princes and then by urban elites. Today, their success is undisputed. They serve to display social identity and status. The wedding invitation, printed in seedy shops in narrow gulis, or city backstreets, has today become a designer’s item and a central part of the wedding ceremony. Virmani’s talk examined wedding cards as an element of the material culture of the elite, which functions as a bridge between the intimate and the social world. She explored the more recent developments in the life of these objects and their implications for the Indian social ‘communication system’ today.


Arundhati Virmani is a historian at the École des Hautes Études en Sciences Sociales in Marseille and teaches at the Centre Norbert Elias. She received her PhD from the Sorbonne Paris-I and worked successively as Reader in the History Department, Delhi University, and at the University of Bordeaux III. Her publications on colonial India include India: 1900-1947. Un Britannique au cœur du Raj (Paris: Autrement, 2001) and A National Flag for India: Rituals, Nationalism and the Politics of Sentiment (Delhi: Permanent Black, 2008). The latter study breaks new ground by analyzing the political economy of emotions channeling anti-colonial sentiment towards a national sentiment and identity and by tying nation-building with previously neglected dimensions of study, such as colors and the interconnections between intimate and private sentiment and national symbols. Virmani’s other recent and forthcoming publications include L’Inde, une puissance en mutation (Paris: La Documentation Française, 2001); Atlas historique de l’Inde. VIe siècle avant J.C. au XXIe siècle (Paris: Autrement, 2012); Emotional Pasts: Questions for Indian Political Culture (Delhi, Three Essays, 2014); and Inde: Peuples en Mouvement (Paris: Autrement, 2014).