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BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Seth Rockman will spoke at the Mr. and Mrs. Raymond J. Horowitz Foundation Seminar in New York and American Material Culture on Wednesday, October 19, 2011. His talk was entitled “‘Implements Correspondingly Peculiar’: Slavery, Plantation Goods, and the Politics of Design in Antebellum America.”

Nineteenth-century Americans were profoundly aware of the inter-regional trade in plantation provisions and its attendant controversies: Could a Yankee produce a shoe strong enough for a slave but cheap enough for a slaveholder? Did the South risk its independence by dressing its slaves in New England plaids? Was it moral for a Rhode Island textile firm to initiate a credit suit against a bankrupt Alabama customer if the result would be a slave sale?

Professor Rockman’s talk brings together the histories of production and consumption of plantation goods, looking particularly at the vexed relationship of planters and slaves as dual consumers of northern-made provisions. Issues of design appeared frequently in agricultural improvement journals, Congressional speeches on the tariff, and the voluminous correspondence of planters to their suppliers. These discussions vividly connect the simultaneous expansion of manufacturing and slaveholding in the middle decades of the nineteenth century, while situating northern mill-hands and southern field-hands on the same pages of American history.


Seth Rockman is an Associate Professor in the Department of History at Brown University, where he has been teaching since 2002. He received his B.A. in History from Columbia University, and his Ph.D. in History from the University of California, Davis. Dr. Rockman has published extensively, and his most recent book, Scraping By: Wage Labor, Slavery, and Survival in Early Baltimore (Johns Hopkins University Press, 2009), has been the recipient of the Merle Curti Prize of the Organization of American Historians, the Philip Taft Labor History Book Award, and the H.L. Mitchell Prize from the Southern Historical Association. Currently he is working on two book projects; Plantation Goods and the National Economy of Slavery in Antebellum America (University of Chicago Press) and Slavery’s Capitalism: A New History of American Economic Development (with Sven Beckert, University of Pennsylvania Press).