About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Brendan Dooley gave a Brown Bag Lunch presentation on Monday, September 14, 2015. His talk is entitled “Angelica’s Book: Material Culture and the Power of Reading.”

At Bard Graduate Center, Professor Dooley will speak on “Angelica’s Book: Material Culture and the Power of Reading.” A woman’s signature on a 1570 edition of Giovanni Francesco Straparola’s Pleasant Nights (Notti piacevoli) provides the starting point for an inquiry about clandestine reading in early modern Europe, touching also upon textual strategies in a regime of censorship, the psychology of literature, and the methodologies of humanities research. The identity of “Angelica Baldachini” may never be discovered with complete certainty; however, her signature on Straparola’s prohibited book speaks volumes regarding some of the most controversial themes in cultural history. This talk will attempt a number of experiments, seeking suggestive results, in areas ranging from physical bibliography to diplomatics, from archaeology to graphology. The conclusion opens on the theme of conservation, considering the future of the material evidence at hand and the fragility of memory.


Brendan Dooley is Professor of Renaissance Studies at University College Cork and Research Fellow at Bard Graduate Center. He received his PhD from the University of Chicago in 1986. Professor Dooley works on the histories of culture and knowledge with reference to Europe and especially to Italy and the Mediterranean world. He has published widely on topics relating to intellectual life, institutions and patronage structures from 1500-1800. Partly by background, partly by inclination, he is particularly drawn to topics regarding transition, transmission and translation, in the broadest senses. Hence the direction much of his recent research has taken, in the areas of mediality and communication, within and among physical and mental spaces, between past and present, in love and war. Examples include A Mattress Maker’s Daughter, the Renaissance Romance of Don Giovanni de’ Medici and Livia Vernazza (Harvard, 2014) and, as editor, The Dissemination of News and the Emergence of Contemporaneity in Early Modern Culture (Ashgate, 2010). He is currently investigating humanities methodologies applied to material culture in a project entitled “Angelica’s Book: The Power of Reading in a Late Renaissance City.”