About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.


Matilda McQuaid spoke at the Modern Design History Seminar on Wednesday, March 6, 2013. Her talk is entitled “Textile Variations.”

Some of the most innovative and exciting textiles are variations on themes that have been around for centuries. Focusing on the theme of process and technique, McQuaid’s talk will present examples of textiles across different time periods, cultures, and geography to show how textile making can be a uniting activity and a creative form that distinguishes its time, place, and maker. Using examples from Cooper-Hewitt, National Design Museum’s superb collection of textiles that span 24 centuries, this talk will offer insight into how the making of textiles creates an historic continuum that continues to inspire artists and designers today.


Matilda McQuaid is currently Deputy Curatorial Director of the Cooper-Hewitt, National Design Museum, where she has worked since 2002. She received her B.A. in Art History from Bowdoin College and her M.A. in Architectural History from the University of Virginia. McQuaid has previously served in various curatorial roles in the Department of Architecture and Design at The Museum of Modern Art and as Exhibitions Curator and Head of the Textiles Department at the Cooper-Hewitt National Design Museum. Two of her recent exhibitions at the National Design Museum, Color Moves: Art and Fashion by Sonia Delaunay(2011) and Josef and Anni Albers: Designs for Living (2006), have been awarded the AICA/USA award for Best Architecture or Design Show. In addition, McQuaid has published on a wide range of topics pertaining to the design and production of textiles. Recent articles include: “Community” and “Materials” in Why Design Now?: National Design Triennial, Ellen Lupton, et al. (New York: Cooper-Hewitt, National Design Museum, Smithsonian Institution, 2010); “Lace in Formation” in Translation, Hilary Jay, et al., Lace (Philadelphia, PA: Design Center, University of Philadelphia, 2010); and “Transforming Design” in Design Life Now: National Design Triennial Barbara J. Boemink, et al.,(New York: Cooper-Hewitt, National Design Museum, Smithsonian Institution, 2006).