About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Join us this spring for the Leon Levy Foundation Lectures in Jewish Material Culture. Miriam Frenkel will deliver three lectures in a series entitled “The Matter of Things: Material Culture in the Medieval Islamicate World.” Lecture 2, “Texts and Textiles: The Cultural Meaning of Clothing and Ornaments in the Geniza Society,” will take place on Wednesday, February 12, at 6 pm.

Textiles, clothing, and other body ornaments are significant cultural markers. In medieval Islamic and Jewish societies, the attired body symbolized human culture itself. It was the covered body which differentiated between human beings and animals. This lecture discusses the cultural, social, and economic significance of clothing and jewellery in these societies as manifested in wills and trousseau lists from the Geniza and also in contemporary Hebrew poetry which itself was conceived as “dressed up” language. Special attention will be given to the function of jewellery in this patriarchal society.


Lectures in this Series:

Lecture 1, Wednesday, February 5
Lecture 2, Wednesday, February 12
Lecture 3, Wednesday, February 19

Miriam Frenkel is Associate Professor in the Department of Jewish History and the School of History at the Hebrew University. She is also the Menahem Ben Sasson Chair in Judaism and Islam through the Ages and vice president of the Society for Judeo-Arabic Studies [SJAS.] Her main fields of research are: Geniza studies, cultural and social history of Medieval Judaism in the lands of Islam, and medieval cultural encounters between Judaism and Islam. Her book “The Compassionate and Benevolent”: The Leading Elite in the Jewish Community of Alexandria in the Middle Ages (2006) was awarded the Shazar Prize in 2007. Frenkel has also published several articles on various aspects of medieval Jewish life under Islam including literacy, poverty, charity, pilgrimage, slavery, and material culture.


Additional support provided by The David Berg Foundation.