About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.



Paul Betts is the keynote speaker for the Symposium Re-Forming Modernism: Craft, Design, and Architecture at the Bauhaus. His talk was titled “The Shock of the Old: Some Reflections on the Bauhaus at 100” took place on October 17, at 6 pm.

The centenary of the Bauhaus has spurred the dizzying production of new books, biographies and exhibitions about the international reach and general legacy of the twentieth century’s most celebrated design school long after its closure in Germany in 1933. However, the broad internationalization of the Bauhaus has obscured the ways in which it was fundamentally shaped by the hothouse politics of twentieth century German history. This lecture by contrast will focus on the changing relationship between the Bauhaus and German history more generally, with special attention devoted to the career of the Bauhaus’s most famous designer, Wilhelm Wagenfeld, as emblematic of the school’s legacy across twentieth century Germany and beyond.


Paul Betts teaches Modern European History at the University of Oxford, and is the author of numerous books and articles on Modern European and German cultural history. He received his PhD from the University of Chicago in 1995, and has held visiting fellowships in Potsdam, Munich and Paris. His published work includes Within Walls: Private Life in the German Democratic Republic (Oxford University Press, 2010, pb, 2012), which was awarded the Fraenkel Prize in Contemporary History by the Wiener Library, and The Authority of Everyday Objects: A Cultural History of West German Industrial Design (University of California Press, 2004, pb 2007), along with seven co-edited volumes, most recently The Ethics of Seeing: Photography and 20th Century German History (Berghahn, 2017). Currently he is completing a manuscript on Contest for Civilization: The Remaking of Europe since 1945.