About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

There has been much concern and criticism in the West over the absence of the voices of “peoples without history” in the writing of local, regional, and global histories. This concern has been especially profound insofar as it pertains to societies that did not have in the past, or that do not have today, their own traditions of written history. The Inkas of the Pre-Columbian Andes represent a striking case study in this regard, because, while Inka administrators had the use of an exceptionally complex and highly efficient instrument for record keeping, in the knotted-string khipu (or quipu, “knot”), we have not to date been able to draw historical information from these knotted records for writing a history of the Inka Empire. Gary Urton’s recently published book, Inka History in Knots: Reading Khipus as Primary Sources (Univ. of Texas Press, 2017), lays out a methodology for approaching khipu accounts as sources for writing Annales-style histories of the Inka state—i.e., histories based on administrative data, such as censuses, tribute records, storehouse accounts, etc. This symposium brings together eight Andean scholars to discuss and debate the question of whether or not, and if so how, we might draw on knotted cord accounts from the pre-Inka Wari, the Inka empire, and those from Andean subjects of the Spanish Colonial state in order to begin to understand how Andean peoples constructed representations of their own societies. The principal challenges will be, first, to identify the structures, physical features, organizational principles, and semiotic properties of cord accounts in these different periods in the Andean past, and second, to determine how we might draw on these constructions to begin to write histories of Andean societies based on Andean sources.


9:30 am
Peter N. Miller
Bard Graduate Center
Welcome
Gary Urton
Harvard University
Introduction



9:50 am
Gary Urton
Harvard University
Finding Time for History in the Inka Khipus




10:30 am
Jeffrey C. Splitstoser
George Washington University
The Large Wari Khipu at Dumbarton Oaks




11:10 am
Coffee Break


11:30 am
Jon Clindaniel
Harvard University
Towards an Understanding of Non-numerical Inka Khipu Semiosis: Implications for the Interpretation of Inka History Using Primary Sources




12:10 pm
Bruce Mannheim
University of Michigan
Three Commensuration Problems in Interpreting Khipus




12:50 pm
Lunch Break


2 pm
Terence N. D’Altroy
Columbia University
The Dynamic Formation of Imperial Knowledge




2:40 pm
Sabine Hyland and Sarah Bennison
University of St Andrews
“These Are Our Khipus!” The Ritual Khipu Boards of San Pedro de Casta, Peru



3:20 pm
Coffee Break


3:40 pm
José Carlos de la Puente Luna
Texas State University
Khipus as Legal Archives: Tribute, Justice, and Controlled Translation in Early Colonial Peru


4:20 pm
Frank Salomon
University of Wisconsin–Madison
The Long Afterlives of Central-Peruvian Khipu Patrimonies




5 pm
Panel Discussion




5:40 pm
Reception


The Mr. and Mrs. Raymond J. Horowitz Book Prize is awarded annually to the best book on the decorative arts, design history, or material culture of the Americas. The prize is a symposium devoted to the winning book, and planned by its author. Gary Urton’s book Inka History in Knots: Reading Khipus as Primary Sources won the inaugural prize in 2017.