About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.


Jisgang Nika Collison
presented at the Indigenous Arts in Transition Seminar on Tuesday, October 23, at 6 pm. Her talk was entitled “Gina Suuda Tl’l Xasii ~ Came To Tell Something: Documenting Convergence, Divergence, and Co-existence through Haida Art and Narrative.”

Interactions with Indigenous Peoples have long been documented by Euro-Americans using written narratives and imagery fabricated from and for colonial purpose. These imaginings dominate and soften the popular understanding of history. By privileging Indigenous records of interactions with Euro-Americans through art and oral narratives—in this case that of the Haida—history is not challenged nor changed, it is revealed.


Jisgang Nika Collison belongs to the Kaay’ahl Laanas clan of the Haida Nation and is the executive director and curator of the Haida Gwaii Museum at Kay Llnagaay. Deeply committed to reconciliation, Collison works with her Nation seeking reparation and relationships with museums on a global scale. She is the editor of Gina Suuda Tl’l Xasii ~ Came To Tell Something: Art & Artist in Haida Society (2014); and Athlii Gwaii: Upholding Haida Law at Lyell Island (2018); and is co-editor, with Scott Steedman, of That Which Makes Us Haida—The Haida Language (2011). Collison is a Distinguished Indigenous Fellow at the University of British Columbia Green College. In 2017, she received the international Michael M. Ames Award for Innovative Museum Anthropology from the Council for Museums Anthropology for her work in repatriation and Indigenous scholarship.