About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.



Jonathan Senchyne gave a Brown Bag Lunch presentation on Monday, March 12, at 12:15 pm. His talk is entitled “Type, Paper, Glass, and Screws: Reading Surfaces and the Materialities of Communication.”

The surfaces we read are meant to disappear behind the content they bear. But what, and who, is available to readers who pay attention to the material dimensions of the devices we read? Whether an eighteenth-century newspaper or a twenty-first century iPhone, the surfaces from which we read are present to us, and they put our bodies in relation to others. In this talk, Senchyne reads the print work of the eighteenth-century enslaved printer Primus Fowle (1700–1791) and the poetry of Foxconn laborer Xu Lizhi (1990–2014) and argues that they use non-alphabetic elements of texts like broken type or loose screws to orient readers to the many kinds of people and kinds of work that mediate texts across time, space, and archives.


Jonathan Senchyne is Assistant Professor of Book History and Print Culture at the University of Wisconsin-Madison and 2017-18 Pine Tree Foundation Distinguished Visiting Professor of the Future of the Book in a Digital Age, CUNY Graduate Center.