About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.



Karen B. Stern gave a Brown Bag Lunch presentation on Wednesday, October 18, at 12:15 pm. Her talk was entitled “Class Divides: Reading, Writing, and Jewish Daily Life through Graffiti.”

From Iron Age Judah and onward, Judahites, Judeans, and Jews took chisels and amateur tools to carve into stone their names and requests to be remembered. Sometimes, they did this in places we might suppose, such as on memorial plaques or epitaphs. Yet at other times, they wrote in other locations: upon walls of pagan sanctuaries, around doorways of monumental synagogues, and encircling the tombs of revered priests and rabbis. Found in these places, these types of writings, best classified as graffiti, might seem disrespectful, blasphemous, and even sacrilegious. Yet Jewish writers likely viewed these acts of writing in quite different ways—as modes of social engagement with other Jews and with their gentile neighbors, of prayer, commemoration, and interaction with the dead. When considered from distinct vantages, still, their writings can tell us something even more significant and surprising about Jewish inscribers, particularly concerning their abilities to read and write. Traditional scholarship on ancient literacy theorized that scarce numbers of ancient peoples (whether Jews or their neighbors) could read or write at all, because so few people possessed the requisite funds and education to develop associated skills. But more careful attention to the contents and locations of the aforementioned graffiti, written by Jews throughout the ancient world, supports a contradictory theory: that many more Jews could read and write in earlier and later antiquity than are commonly thought. In this lecture, Stern will discuss ancient graffiti written by Jews, their geographic and spatial distributions, contents, and modes of display, and their implications for our understandings of education, class, and status among Jews in the Greco-Roman world.


Karen B. Stern is Assistant Professor of History at Brooklyn College of the City University of New York. She is the author of Inscribing Devotion and Death: Archaeological Evidence for Jewish Populations in North Africa (Brill, 2008) and of the forthcoming Writing on the Wall: Graffiti and the Forgotten Jews of Antiquity (Princeton University Press). Her research considers the material culture of Jewish populations throughout the Mediterranean world.


This event is part of the Leon Levy Foundation Lectures in Jewish Material Culture. Additional support provided by The David Berg Foundation.