About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.



Wolf Burchard gave a Brown Bag Lunch presentation on Tuesday, October 10, at 12:15 pm. His talk was entitled “The Sovereign Artist: Charles Le Brun and the Image of Louis XIV.”

King Louis XIV’s favorite artist, Charles Le Brun (1619–1690) has often been described as a “dictator of the arts in France”—a view Burchard reassesses in his new book (Holberton 2017). Le Brun was a gifted and versatile artist, an excellent painter and designer of tapestries, sculpture, architecture, and furniture. As Louis XIV’s principal painter and director of the Gobelins manufactory, he sought to translate the Sun King’s claim for absolute power into visual form. This lecture will explore Le Brun’s different fields of activities and his relationship to the great monarch.


Wolf Burchard, an art and architectural historian and a specialist on seventeenth- and eighteenth-century royal patronage, is the Furniture Research Curator at Britain’s National Trust. From 2009 to 2014 he was Curatorial Assistant at the Royal Collection Trust, where he assisted Desmond Shawe-Taylor, Surveyor of The Queen’s Pictures, in curating The First Georgians: Art & Monarchy, 1714-1760, an exhibition held at The Queen’s Gallery, Buckingham Palace, to commemorate the tercentenary of George I’s accession to the British throne. He studied history of art and architecture at the universities of Tübingen and Vienna as well as the University of London, where he earned the MA and PhD at the Courtauld Institute of Art. He regularly publishes and lectures on art and architectural patronage at the British, French, and German courts. He is a Trustee of the Georgian Group and a member of the Committee of the Society for Court Studies and of the Events Committee and Editorial Panel of the Furniture History Society.