About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.



E. Ulrich Leben gave a Brown Bag Lunch presentation on Monday, October 9, at 12:15 pm. His talk was entitled “Cabinetmakers of German Origin in Eighteenth-Century Paris: A Chapter in European History of Migration and Transfer of Knowledge and Craft in the Age of Enlightenment.”

The fact that a large number of cabinetmakers working in Paris during the eighteenth century were of German origin is well known. It is therefore surprising that there has never been research on the lives and work of these more than one hundred craftsmen. This talk will present various aspects of a project currently being undertaken by Dr. Ulrich Leben and Miriam Schefzyk on these craftsmen and provide insight into archive-based research in France and abroad exploring questions regarding social, economic, and cultural circumstances. A major goal of this project is the publication of a dictionary of these craftsmen that will be a tool for further work in the field.


E. Ulrich Leben is an independent art historian based in Paris and Associate Curator for the Rothschild Collection at Waddesdon Manor in Buckinghamshire. He teaches classes on French and German decorative arts and interior architecture for the European programs of Parsons, The New School. From 2010–15 he was Visiting Professor and Special Exhibitions Curator at Bard Graduate Center, where in 2013 he co-curated the exhibition Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art. After an apprenticeship as a cabinetmaker in Germany he studied the History of Art at the École du Louvre in Paris and received his PhD at the Rheinische Friedrich Wilhelm Universität in Bonn. He is the author of numerous articles and exhibition catalogues on the history of French and German interiors and furniture design.