About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Marie-Louise Nosch gave The Iris Foundation Awards Lecture on Tuesday, April 4, 2017 at 5:30 pm. Her talk was entitled “Texts and Textiles.”


Marie-Louise Nosch was the recipient of the 2017 Iris Foundation Award for Outstanding Mid-Career Scholar. She is an historian and founder and Director of the Danish National Research Foundation’s Centre for Textile Research (CTR) at the University of Copenhagen and the National Museum of Denmark. Since 2009, she has also been Professor of Ancient History at the University of Copenhagen. She received her PhD from the University of Salzburg in 2000 with a thesis on Mycenaean textile administration in Linear B and has subsequently merged Linear B studies with experimental archaeology and the study of textile tools. As Director of CTR, she has launched research programs that combine archaeology, history, philology, and the natural sciences. She is author and co-author of works on Aegean Late Bronze Age textile production in the Mycenaean palace economies, and editor of numerous books on textile history and archaeology.

Textiles accompany us throughout life, from swaddling clothes to funerary shrouds, a flexible and accessible material through which we express gender, age, and status. As a techno-complex, textile crafts predate metallurgy and even pottery. Our history and identity have been shaped by their materiality and technology, as their manifestations in language, iconography, and symbolism make clear. It is by no means a coincidence that the Industrial Revolution was sparked off by the textile industries, dramatically speeding up the production times of this extremely time-consuming craft and changing the global landscape. Consequently textiles became one of the universal mediums of communication, exchange, and identity, crossing and linking different cultures, social classes, technologies, markets, and genders. The materiality of textiles is central to these processes: wherever they are produced and consumed, they bring people, bodies, and things together, more than any other medium or material. The topic is universal and its study comprises theoretical approaches as well as technical material investigations and scientific analyses. In this lecture, Nosch focused on the intersection of texts and textiles, drawing on examples from both history and archaeology.