About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Ezra Shales gave the Alumni Spotlight Lecture on Tuesday, March 21, 2017 at 6 pm. His talk was entitled “Keep the Research on Your Right: Teaching, Writing, and Curating as Tributaries.”


Ezra Shales (PhD 2007) is a Professor at the Massachusetts College of Art and Design. He has authored essays for the Journal of Design History, Design and Culture, and the Journal of Modern Craft, on varied topics such as Victorian toys, the contemporary production of sanitary porcelain at the Kohler Company factory in Wisconsin, and the role of artisans in building the Empire State Building. His book, Made in Newark (Rutgers University Press, 2010), explores craft as an anchor of regional identity in progressive-era New Jersey.

In this talk, Shales reflected on his approach to research and his journey after receiving his PhD from Bard Graduate Center. Shales taught at Alfred University for eight years and has been teaching at the Massachusetts College of Art and Design for the past four. He is active as a curator and will discuss organizing Pathmakers: Women in Art, Craft, and Design, Midcentury and Today for the Museum of Arts and Design (2015; National Museum of Women in the Arts, 2016), and O Pioneers! Women Ceramic Artists, 1925–1960 for the Alfred Ceramic Art Museum (2015). He also discussed current projects including a book on craft that focuses on the material wonders within our grasp, and preparing introductions to new editions of David Pye’s Nature and Aesthetics of Design (1964) and Nature and Art of Workmanship (1968).