About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Roisin Inglesby will be coming to speak at the New York Silver Society Lecture on Tuesday, October 7, 2014. Her talk is entitled “Blending Handwork and Thought: Henry Wilson’s Designs for Silver.”

In her talk at the BGC, Inglesby will bring attention to Henry Wilson, an accomplished silversmith and jeweler of the English Arts and Crafts Movement. She will discuss the importance of Wilson’s role as a designer-craftsman and his teaching role at the Central School of Arts & Crafts and the Royal College of Art during the early decades of the 20th century. Wilson’s textbook Silverwork & Jewellery (London: John Hogg, 1903) outlines his philosophy of design and provides detailed instruction on the practicalities of working with silver.


Roisin Inglesby is Assistant Curator of Designs in the Word and Image Department at the Victoria and Albert Museum in London. She received her BA in Modern History from Queen’s College, University of Oxford, and her MA from the Bard Graduate Center. At the V&A, Inglesby is currently preparing an exhibition, “Architects As Artists,” which will open in November 2014.