About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Recent innovations in digital display and interaction at leading institutions, such as the Metropolitan Museum of Art, Cooper-Hewitt Smithsonian Design Museum, and Cleveland Museum of Art, have made it clear that digital technologies are now firmly established as part of the museum-going experience. These developments necessitate a critical and thoughtful consideration of how to deploy screens and devices in museum environments in a way that best supports the objects on display and the narratives that curators are conveying. This symposium will juxtapose the work of leaders in museum technology with efforts being made in the Bard Graduate Center’s Focus Gallery Project to pose a variety of different approaches and models that engage with these new developments, and to open up discourse about the best ways to integrate digital technology in the interpretive and didactic missions of educational and cultural heritage institutions.




Kimon Keramidas

Assistant Professor and Director of the Digital Media Lab

“Welcome and Introduction”


Koven J. Smith

Director of Digital Adaptation, Blanton Museum of Art
“Becoming Authentically Digital at the Blanton Museum of Art”

Jennifer Foley

Director of Interpretation, Department of Education and Interpretations, Cleveland Museum of Art
“‘Oh, what’s this button do?’ Connecting Spaces, People, and Collections”

David Jaffee

Professor, Head of New Media Research
Visualizing 19th Century New York


Kimon Keramidas

Assistant Professor and Director of the Digital Media Lab
The Interface Experience


Panel Discussion:
Jennifer Foley, Koven J. Smith, Kimon Keramidas, David Jaffee, Deborah G. Douglas, Jonathan Dahan