About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Nancy Proctor presented at the New Media Seminar on Wednesday, November 11, 2015. Her talk was entitled “Going Universal.”

From object labels to audio tours to Cooper Hewitt’s recent “Pen” project, museums have employed a range of media and strategies in order to provide “universal” interpretation of their collections and exhibitions – that is to say, to make content about objects and exhibits available to all visitors. In this talk and roundtable discussion, we explored the mission- and business model-based drivers for “going universal” as well as the benefits and challenges of various approaches. With this historical context and in light of the near ubiquity of personal Internet-connected devices today, we considered what universal access to museum interpretation might look like in the next decade, along with motivations and strategies for providing it with ever more constrained resources and revenues on the part of the museum.


Nancy Proctor is Deputy Director for Digital Experience and Communications at the Baltimore Museum of Art and Co-chair of Museums and the Web. Previously she headed up Mobile Strategy and Initiatives at the Smithsonian Institution (2010-2014), and New Media Initiatives at the Smithsonian’s American Art Museum (2008-2010). With a PhD in American Art History and a background in filmmaking, curation and art criticism, Nancy Proctor published her first online exhibition in 1995. She co-founded TheGalleryChannel.com in 1998 with Titus Bicknell to present virtual tours of innovative exhibitions alongside comprehensive global museum and gallery listings. TheGalleryChannel was later acquired by Antenna Audio, where Dr. Proctor led New Product Development from 2000-2008, introducing the company’s multimedia, sign language, downloadable, podcast and cellphone tours. She also directed Antenna’s sales in France from 2006-2007, and worked with the Travel Channel’s product development team. Dr. Proctor served as program chair for the Museums Computer Network (MCN) conference 2010-2011, and has co-organized the Tate Handheld conference among other gatherings for cultural professionals. She manages MuseumMobile.info, its wiki and podcast series, and is Digital Co-editor of “Curator: The Museum Journal”.