About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Giorgio Riello delivered the Iris Foundation Awards Lecture on Tuesday, April 5, 2016, from 5:30 to 7pm. His talk was entitled “Global Things: Trade and Material Culture in the First Age of Globalization, c. 1500–1800.”

We are often told that we live in an age of globalization, one of growing homogenization of consumption, increasing communication, and cultural and economic integration. Yet the study of material culture suggests that today’s global connectedness is not new. The early modern period (c. 1500–1800) can be seen as the ‘first age of globalization.’ More than ever before, contact between different parts of the world intensified. Trade and the appreciation of commodities from different continents made material goods integral to cultural encounters and the establishment of long-lasting relationships. Two aspects are worth highlighting: first, the fact that Europe assumed a key role in global exchange but was not the only force shaping material culture in this period. Second, material exchange was not just about commodities but included gifts, looted artifacts, captured cargoes, and war prizes. Global connectivity—today as in the past—is as much about violence and force as it is about trade and cultural exchange. This talk mapped early modern globalization through an investigation of material culture, reflecting on what types of connections material artifacts created and how the study of material culture has reshaped our understanding of early modernity.


Giorgio Riello is the recipient of the 2016 Iris Foundation Award for Outstanding Mid-Career Scholar. He is Professor of Global History and Culture and Director of the Institute of Advanced Study at the University of Warwick. He is the author of A Foot in the Past (OUP 2006), Cotton: The Fabric that Made the Modern World (CUP 2013, winner of the 2014 World History Association Bentley Book Prize), and Luxury: A Rich History (OUP 2016, co-written with Peter McNeil). Riello has published extensively on the history of fashion, design, and consumption in early modern Europe and Asia. He is the co-editor of Shoes (Berg 2006; pb 2011), Global Design History (Routledge 2011), Writing Material Culture History (Bloomsbury 2014), The Global Lives of Things (Routledge 2015), and several other volumes. He is currently completing a book entitled Back in Fashion: A History of Fashion since the Middle Ages to be published by Yale University Press.