About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

This symposium is organized in conjunction with the exhibition Frontier Shores: Collection, Entanglement, and the Manufacture of Identity in Oceania at Bard Graduate Center (April 22–September 18, 2016). Frontier Shores explores social Darwinism, imperialism, cross-cultural contact, and identity in Oceania from the nineteenth through the mid-twentieth century. The exhibition showcases a wide selection of material to convey the ways in which colonial powers perceived those they controlled or sought to control, and the ways in which cultural exchange was realized in the material world. Frontier Shores explores the idea that the material culture collected in the late nineteenth through the mid-twentieth century made false assumptions about native identity and civilization in order to justify domination. This exhibition deals with the notion of trade between European collectors and native peoples, incorporating the idea of the object as the frontier itself, but it also explores how anthropology was used by colonial powers to justify their control over the resources and lives of colonized peoples—how collection both described and pacified the frontier. Frontier Shores illuminates how marginalized peoples adapted to, resisted, or otherwise exerted their own agency in the colonial context, and examines the objects on display as either symbols of power, or as records of how people lived, died, and interacted. The symposium will involve seminar presentations from leading scholars on the anthropology, archaeology, and history of Oceania, exploring the larger themes in diverse, local contexts.


1:30–1:35pm

Peter N. Miller
Dean and Professor, Bard Graduate Center
Welcome


1:35–1:50pm

Shawn C. Rowlands
BGC-AMNH Postdoctoral Fellow in Museum Anthropology
Introduction


1:50–2:40pm

Jennifer Newell
Curator of Pacific Ethnography, American Museum of Natural History
Paige West
Professor of Anthropology, Barnard College and Columbia University
“Artists and Ancestors: Exploring the Potency of Reconnections with Museum Collections”


2:40–3:30pm

Maia Nuku
Evelyn A. J. Hall and John A. Friede Associate Curator for Oceanic Art, Metropolitan Museum of Art
“Caught in Entangled Frontiers: Re-evaluating the Boundaries of Museum Collections—The Case of the Polynesian Feather Headdresses”


3:30–3:50pm

Coffee Break


3:50–4:40pm

Sergio Jarillo de la Torre
Postdoctoral Fellow, American Museum of Natural History
“Frontier Gospels and Christian Entanglements in the Trobriand Islands of Papua New Guinea”


4:40–5:30pm

Iain Davidson
Emeritus Professor, University of New England
“Impacts of Anthropological Analysis on Aboriginal Peoples: Disentangling Methods and Theories in Archaeohistorical Narratives”


5:30–6pm

Reception