About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.



Willa Z. Silverman delivered a Françoise and Georges Selz Lecture on Eighteenth- and Nineteenth-Century French Decorative Arts and Culture on Wednesday, January 23, at 6 pm. Her talk is entitled “Henri Vever: Art Nouveau Jeweler and Collector in Fin-de-Siècle Paris.”

Less well-known today than his contemporary René Lalique, Henri Vever was one of the foremost jewelers of the fin de siècle, whose firm won Grands Prix at the 1889, 1897, and 1900 World’s Fairs. A foremost champion of Art Nouveau who collaborated closely with artists including Eugène Grasset, Vever was also a renowned collector, first of the Impressionists, then of Japanese prints, and finally of Islamic decorative arts. His varied activities placed him at the center of the worlds of art and commerce at the end of the nineteenth century. As his recently-published diary for 1898, edited by Willa Z. Silverman, reveals, Vever’s life and work were motivated by his perception of living in a “very rare era” regarding both artistic production and cultural change.


Willa Z. Silverman is the Malvin E. and Lea P. Bank Professor of French and Jewish Studies and Head of the Department of French and Francophone Studies at Penn State University. Her fields of specialization include French society, culture, and politics, 1870-1914, Art Nouveau, history of the book/print culture studies, and France and the Holocaust. She is the author of The Notorious Life of Gyp: Right-Wing Anarchist in Fin-de-Siècle France (Oxford UP, 1995 and in French translation: Gyp, La dernière des Mirabeau, with a preface by Michel Winock [Plon-Perrin, 1998]); The New Bibliopolis: French Book Collectors and the Culture of Print, 1880-1914 (U of Toronto P, 2008), which received the 2009 Aldo and Jeanne Scaglione Prize for French and Francophone Studies, awarded by the Modern Language Association; and Henri Vever, champion de l’Art nouveau (Armand Colin, 2018), which was the subject of a 2018 symposium at the Musée des Arts Décoratifs in Paris. She has published articles in Book History, Dix-Neuf, Contemporary French Civilization, Historical Reflections/Réflexions Historiques, Nineteenth-Century Art Worldwide, Nineteenth-Century French Studies, and Quaerendo. In 2017 Dr. Silverman was a Visiting Fellow at the Van Gogh Museum, where she led a seminar entitled “Life and Art in Belle Époque Paris: Collectors, Decorative Arts, Esthetics.” She is currently continuing her editing of Henri Vever’s diaries while working on a book about Franco-American culinary exchanges from the mid-nineteenth to the mid-twentieth century.