Events
Wednesdays @ BGC
Join us this spring for weekly programming!
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.






Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

This event is part of “Conserving Active Matter: A Cultures of Conservation Research Project,” a collaboration between Bard Graduate Center, the Humboldt University (Berlin), and the Rijksmuseum (Amsterdam). This initiative aims to bring new developments in materials science and new ways of thinking about matter to create new ways of thinking about the future of conservation. The project is articulated through semester-themed explorations along four axes: Indigenous ontologies (spring 2018), history (fall 2018), materials science (spring 2019), and philosophy (fall 2019).

The working group on “Active Matter and History” (Peter N. Miller, Ittai Weinryb) aims to contextualize the current interest in active matter. Probing the boundaries of dualistic thought, from Pre-Socratics to plastics, this workshop will help us understand exactly how we got to the point that the activity of organic matter had to be rediscovered at the beginning of the twenty-first century. Beyond genealogy, however, the recognition that conceptual scene-setting is itself an artifact raises new possibilities for rethinking activity along the arc of all those other victims of dualization, such as the subject/object, archaic/modern, living/non-living, human/non-human, and West/Eastern dichotomies.


9:15 am
Welcome and Introduction
Peter N. Miller, Bard Graduate Center
Ittai Weinryb, Bard Graduate Center




9:30 am
Session I: Magic
Frank Klaassen, University of Saskatchewan
Nicolas Weill-Parot, École Pratique des Hautes Études



10:45 am
Coffee Break

11:15 am
Session II: Buddhism
Fabio Rambelli, University of California, Santa Barbara
Wen-shing Chou, Hunter College, CUNY



12:30 pm
Lunch Break

1:30 pm
Session III: Subjectivities
Surekha Davies, The John Carter Brown Library
Daniel Garber, Princeton University



2:45 pm
Coffee Break

3:15 pm
Session IV: Traditions
Moshe Idel, The Hebrew University of Jerusalem
André Laks, Panamerican University



4:30 pm
Coffee Break

5:00 pm
Session V: Modernism
Joyce Tsai, University of Iowa
Claudia Wedepohl, The Warburg Institute



6:15 pm
Reception