About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Sören Stark spoke at the Seminar in Comparative Medieval Material Culture on Wednesday, December 2, 2015. His talk was entitled “Between China, Iran, and Byzantium: The Türks in Inner Asia from the Sixth to the Eighth Century.”

At Bard Graduate Center Professor Stark investigated how the “World Empire” of the nomadic Türks, arising from the Inner Asian steppes around the middle of the sixth century and spanning, during its apogee some 30 years later, from Crimea to the Hindukush and to Manchuria, remains one of the least known hegemonic polities in the history of Eurasia. In popular perception it is largely overshadowed by the later Chinggisid “World Empire,” although the Mongols owed much of their imperial ideology and structures of governance to the Türks. Like the Pax Mongolica some 700 years later, the unification of large parts of Eurasia under Türk rule considerably intensified diplomatic, economic, and cultural exchange across the Eurasian continent (“Silk Roads”). In this context much attention has been given to the role of Sogdian merchants. Professor Stark’s talk shifted the focus to the nomadic Türk elites as agents of cultural communication, transmission, and appropriation in a framework of shared political culture and interstate competition between China, the Iranian world, and Byzantium. In particular, he inquired how the Türks’ active participation in this exchange network and their competition with other imperial ‘players’ of their time impacted and shaped their own self-representation.


Sören Stark is Assistant Professor of Central Asian Art and Archaeology at the Institute for the Study of the Ancient World at New York University. He specializes in the political and cultural interrelations between pastoral nomads in Central and Inner Asia and their sedentary neighbors, and has produced a monograph on the archaeology and history of the Türks in Central and Inner Asia (published in 2008 as Die Alttürkenzeit in Mittel- und Zentralasien. Archäologische und historische Studien, Nomaden und Sesshafte 6. Wiesbaden: Ludwig-Reichert-Verlag) and a major exhibition in New York and Washington on the culture of Early Iron Age nomads in the territory of present-day Kazakhstan (see the catalogue Nomads and Networks: The Ancient Art and Culture of Kazakhstan. Princeton/New York: Princeton University Press 2012, edited together with K. Rubinson). He is currently leading an archaeological field project on territorial fortifications in fourth- to eighth-century CE Bukhara (Uzbekistan). He is also (with F. Kidd) co-editor of a handbook of Central Asian archaeology and art now in preparation at Oxford University Press.