About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

Namita Gupta Wiggers presented at The Mr. and Mrs. Raymond J. Horowitz Foundation Seminar in New York and American Material Culture on Tuesday, February 2, 2016. Her talk was entitled “Making Space: Museums and Craft in the Twenty-First Century.”

In the past decade, we have witnessed significant shifts in how craft is examined, interpreted, documented, practiced, and exhibited. During this time, more craft-focused institutions in the United States opened or renewed their missions than in any decade since industrialization. Making space for craft can be more than simply adding exhibitions, collections, or programs to existing models, rather it is an opportunity to rethink the museum itself. Using examples from past exhibitions at the Museum of Contemporary Craft as well as current projects, Wiggers discussed how exhibition-making operates as a research and development platform for rethinking craft, with a focus on the challenges and strengths of smaller museums located outside of major urban centers.


Namita Gupta Wiggers is a writer, curator, and educator based in Portland, Oregon. She is the Director and Co-Founder of Critical Craft Forum, an online and onsite platform for exchange that offers real-time conversations about issues in the field (www.criticalcraftforum.com). Wiggers teaches in the MFA Applied Craft + Design program, co-administered by the Oregon College of Art + Craft and the Pacific Northwest College of Art. From 2004 to 2014 she served as Director and Chief Curator at the Museum of Contemporary Craft in Portland, Oregon. Wiggers contributes to online and in-print journals and books, and serves as the Exhibition Reviews Editor for The Journal of Modern Craft. Her current projects include: Across the Table, Across the Land with Michael Strand for the National Council on Ceramic Education in the Arts; a textile-focused exhibition at the Wing Luke Museum of the Asian Pacific American Experience in Seattle; a Maker Space project at the Patricia and Phillip Frost Museum of Science in Miami; and the forthcoming Companion to Contemporary Craft with Wiley Blackwell Publishers.